Tuesday 13 December 2011

Convergence & Persistence Of Vision

Only.a.dream from Camille Marotte on Vimeo.

Convergence refers to (in technology terms and in relation to digital photography)the combination of two or more different technologies in a single device. The video embeded above was created using a Canon 5d MkII. In fact he last episode of the US drama show House was shot using a 5d MkII (http://www.cinema5d.com/news/?p=2818). With the emergence of the DSLR everyone was classing themsleves as a photographer, now it seems everyone is classing themselves as a film maker. More and more photographers are taking advantage of the video capabilities the 5dMkII offers and of course it adds another string to your bow when offering your creative services.
Darren Aronofsky is also said to have shot the rehearsals for his film Black Swan using a Canon 5d MkII.
Using the Canon means you can create HD quality video (20 frames per second = high quality, 64 frames per second = high definition) with a shallow depth of field due to the full frame sensor.
I personally am saving any money I come across to get my grubby mitts on one. In fact I am instilling a strict bread and water diet in the Johnson household until I am in full possession of said camera.


Fig 1. Canon 5d Mk II used as a video camera


Persistence of vision is the theory that the human eye retains images for a fraction of a second thus meaning everything that we see is a mixture of the present and what happened a fraction of a second before. This is how we are understood to watch moving images (film & video) however another school of thought suggests that the brain sends us signals giving us the illusion of continuous motion. Known as beta movement which means the brain assumes there will be a movement between two static images when shown in quick succession and fills in the blanks.




(Image courtesy of http://www.credencepictures.com/images/uploads/DSC02170.jpg)

Monday 21 November 2011

Refine edge - photoshop

Tuesday's lesson concerned 'refine edge' in CS5 Photoshop. Basically its a tool for layering one image seamlessly onto a new background. Below is my first attempt. Not too bad I think. Some extra editing could be done on the strands of the hair at the sides as you can still see small areas of the original background. I took an image of a punk styled model with BIG hair and placed her onto an apocalyptic background...or is it the UK riots? Not sure. Anyway, I wanted to try something quite visually striking so went for fire and smoke.
After flattening the image I then used lightrooms editing settings and played around with the exposure and colour.
The following pictures show the different stages of the process.

Fig 2 Original model image

Fig 3 Layered on top of background and refine edge used around the hair

Fig 4 Final edit in lighroom with grunge effect

Tuesday 8 November 2011

Lightroom Slideshow

Here is my first attempt at creating a slideshow using Adobe Lightroom. The pictures were taken the day after bonfire night (hence the smoke) around my hometown of Hebden Bridge. I took some images underneath the railway bridge as test shots prior to shooting my book cover there. I played around in lightroom and used a pre-setting of 'colour creative - aged photo'.

Sunday 30 October 2011

B Format book cover


Book Cover Design - Final Statement Of Intent

THE TALE:
Red Riding Hood by the Brothers Grimm

After much deliberation and ideas bouncing back and forth I have finally settled on my idea and process of my book cover design.
I am still going to do an interpretation of Red Riding Hood by the brothers Grimm however instead of red riding hoodie, I have decided to go back nearly 70 years to ze war! Inspired by watching Inglorious Basterds again and for the current fashion interest in 40's style retro chic I have decided to change red riding hood to a 40's style French femme fatale spy. She now becomes 'Petit Chaperon Rouge'. The wolf of the story will be a German agent.
                       
THE SHOOT:
On location, Hebden Bridge
The shoot will take place on location outside underneath the railway bridge close to where I live. This will give it a spy’s rendezvous feel. The railway bridge is old so can easily pass for architecture of that period. I have sourced a model that will wear a 40's style long mac and will be smoking a cigarette through a cigarette holder. The model has red hair so that will be the 'rouge'. I also have a model ready to step into the boots of the wolf. I will shoot it before Christmas and the winter weather will give it a dark, wet and grimy feel. The colours will be that of old stone and bare trees or I may black & white the image but use selective colouring so the models hair is still red. I have purchased a toy gun already which has the look of a WWII style gun.
I will also shoot a different image for the back cover. This will be of red riding hoods hands opening up a case with the wolf's head in it. This will be a close up image and will be the basis of the back cover. Ths image will be shot indoors in a studio and I will use lighting just to light the case itself with red riding hood in the background in shadow. She will be wearing red leather gloves as she opens the case.
I hope the finished book cover will give anyone looking at it a interesting and different take on the famous fairy tale. I hope it will be a stylised image with great detail given to the whole composition, with the location, make up, props and clothes worn by the models totally encapsulating a 1940's feel.

Below are images of the clothing and props to be used for the shoot:


40's style mac





gun


Monday 10 October 2011

Book Cover Design - reflection

After much contemplation and some experimentation I have decided on my image for the book cover project.
First of all I will be using Red Riding Hood (by the brothers Grimm) as my inspiration but I shall be giving her a little dark urban twist. Red Riding Hood shall be come 'Red Riding Hoodie'.Some credit in part must go to Roald Dahl's Revolting Rymes and his Red Riding Hood incarnation "The small girl smiles/Her eyelid flickers/She whips a pistol from her knickers", which has obviously stayed in my subconcious since circa 1984!

I had initially decided to shoot on location at a location that comprised of both woodland scenery and some urban decay. I found an area near by to my home which encapsulated both perfectly. An area surrounded by trees and foliage which is also home to a graffiti tagged rusty old metal container (see fig 1 below).
(fig 1)

However after reviewing my images from a short photoshoot I did and deciding that I wanted to go down a different path and create an image that was more simple yet just as effewctive in what I want to achieve and what I want the cover to represent. Although not as simple as the design for The Phantom Of The Opera (see fig 2) the image I want to create will be more direct and less cluttered than the original idea. I also wanted to make sure the typography had its own space in which to breathe and was not lost in a over complicated background or squashed into such a tiny space it looked like an afterthought.

(fig 2)


So how am I going to achieve my image?
I want to shoot a close up portrait style picture of my Red Riding Hoodie which although closely cropped will still contain all the iconic elements of Red Riding Hood i.e. red hood & axe. I shall shoot my image in the college studio using a female model shot against a black backdrop (in order to give the red hood more vibrancy and for mood and dark tone). I have already been in touch with a model and all that remains is too confirm a date and book a slot in the studio. I am aiming for an end of october/beginning of november shoot.

I hope to achieve an image similar in style to a poster for a film called 'Heartless ' which was released in 2010. Fig 3 shows said film poster.

(fig 3)







The positing of the text for the front cover will be set out very similar to fig 3 and will give the cover a movie poster like feel to it. I like the way the text is below the image very much like a mug shot or corporate photo you see when entering a builidng of a large organisation.

Setting out the text this way frames the photo nicely and once again gives it that whole feel of a cult film character. If only to reiterate this please see below for other examples and inspiration.

fig 4

fig 5

fig 6

fig 7







Sunday 9 October 2011

Portrait or Landscape...that is the question

Ok, lets get this straight from the start. This Blog is about standrad book sizes. Thats it. Or is it?
Is there more than meets the eye? Well if I was going to publish my Red Riding Hoodie then yes there is. It seems that if my book was printed in the standard A size ( 175 x 111 mm) then it is doomed to be stuck underneath dirge by Jeffrey Archer and Katie Price in a basket in Asda. Snobbish? Yes probably. But ask yourself this - will your book be given the attention it deserves inbetween the birthday cards and the frozen fish aisle? I think not. If I was creating a book to be published and I was taking it as seriously as I am taking designing ther cover then I would want it to be positioned next to the best selling fairytales in the fiction section of Waterstones. Or if I had my way the cover itself would be such a fantastic piece of photographic art and design it would place itself quite proudly next to Gregory Crewdson's magnificant landscape sized wonders! I digress.
What size should I choose for my book cover? Below are the standard sizes for books:



Name Imperial (inches approx) Metric (mm)
Demy 9 x 6 229 x 152
Royal 9 1/4 x 7 1/2 235 x 191
Crown Royal 11 x 8 1/4 280 x 210
Classic hardback or C format paperback 8 3/4  x 5 5/8 222 x 143
'Trade' paperback or B format 8 x 5 1/4 198 x 129
A format 6 7/8 x 4 1/4 175 x 111
(table courtesy of  http://www.writersservices.com/wps/s1_book_sizes.htm)

Size B it seems is the standard hardback size. I had a look through my bookshelf and narrowed it down to two sizes and shapes.
I thought about the landscape size and thought how wonderful it would be to create such a wide panoramic style book cover. Like a scene from my very own Red Riding Hoodie movie. And then I thought about it again. In order to create such a photograph I am going to have to make sure every part of the image is in great detail. Something my Canon 450D I don't think can handle. I could hire a camera maybe? But no - I have decided on using the portrait syle book cover. My statement of intent (blog to follow) will describe in more detail about the image and typography and how I am hoping to achieve on it.





QR Code

Just created a QR code for my book cover design when finished. This will take all those who scan it straight to this blog. So if your already here....don't bother!
Isn't technology amazing!!!



<img src="http://qrcode.kaywa.com/img.php?s=6&d=http%3A%2F%2Fsamjphotography.blogspot.com%2F" alt="qrcode"  />




Monday 3 October 2011

Does it work? Or doesn't it? Hmmmm

Now having played around with one of the images I shot I have come up with the image below.
This my first attempt. I then thought I would have a go at adding some text and seeing how I could lay the text round the image. Thus I came up with the following image.
I opened up the image in Photoshop Elements and played around with the colours. I took down the greens and yellows to make the image look like it was taken at night and not in the bright midday sun. I like the typography on the image however I don't like Nikki's right hand. She has a gold knuckle duster ring on, which I like, but it looks like she was giving me a two finger salute (which she wasn't) and I have chopped her fingers off. Also the image doesn't really have the 'exploitation' feel I was hoping to give the cover. It does have a feel to it of the GHD advert below. I am contemplating asking Nikki to come back and model again when we will have more time and I can take my time with the shots and work on the details and composition.

(Fig1. GHD Twisted Fairytales Marketing Campaign, photo by Tim Brett Day 2009)










Book cover photoshoot

So I decided to use Red Riding Hood as my inspiration for my mock book cover module at University. Being a fan of old 70's style exploitation films (Foxy Brown, Coffy etc, etc) I have decided I want to give my book cover that sort of feel to it - as such Red Riding Hood will become - Red Riding Hoodie! David Cameron can try and hug her if he wants.....but I don't recommend it! Hang on, that could be the tag line......
 
I managed to convince a friend to model for me who has modelled before and she is easy to work with. We both came up with ideas for the outfit and settled on a more contemporary look for red riding hoodie. I decided to shoot at an outside location near to me - some wasteland with a lots of trees surrounding it. Perfect!
The shoot was all set for Saturday the 1 st October at 11 a.m. Due to transport problems Nikki was over an hour late meaning we only had 30 minutes to do a shoot before her lift had to set off back! Not ideal.....
The shoot as you can imagine was rushed. I think I got some ok shots in the time given but I will have a good look through all of them (which wont take long!) and see if any are going to be suitable.








Monday 26 September 2011

And so it begins.....

The best way to describe my blog is to paraphrase the fourth most famous member of U2, Adam Clayton, and say that this blog 'is a photographic journey'.
Over the coming months I shall be updating my blog with my progress on my photography degree and all other things photography related that I feel are worth 'blogging' about.
Now what bettter way to start then by putting my current Canon 450D DSLR through its ISO paces.
Below are the images taken using the same aperture (F7.1) and then adjusting the ISO, starting with 100 through to 1600.
This is the original image taken with ISO 100. I shall then crop and focus in on part of the image on each ISO variant in order to show the change in image quality and noise as I go up through the ISO settings on the camera.
ORIGINAL - F7.1 / ISO 100
ISO 100
ISO 200
ISO 400
ISO 800
ISO 1600
 As you can see the 450D struggles in low light at its highest ISO of 1600. The noise is evident and the image is far less sharp than at ISO 100, 200 and 400.  I would say the image becomes unusable at ISO 800 for professional purposes. However if I wanted to produce a grainy loooking image in a low light situation (and perhaps convert to B&W) ISO 800 and ISO 1600 might work quite well.

RAW v JPEG